Browse Items (7 total)

[Apollo 13 Command Module's recovery from the Pacific Ocean]
Photomechanical print of the Apollo 13 Command Module's recovery from the Pacific Ocean, showing the CM being lifted via crane up to the deck of the USS Iwo Jima (LPH-2), April 17, 1970.

[Astronauts Fred W. Haise, James A. Lovell, and John L. Swigert disembarking from Sikorsky SH-3D Sea King Helicopter 66 aboard USS Iwo Jima]
Photomechanical print of astronauts Fred W. Haise, James A. Lovell, and John L. Swigert disembarking from Helicopter 66, a U.S. Navy Sikorsky SH-3D Sea King helicopter of HS-4 (Anti-submarine Squadron 4), aboard the USS Iwo Jima (LPH-2), April 17,…

[Sikorsky SH-3D Sea King Helicopter 66 in flight above Apollo 13 Command Module, USS Iwo Jima in background]
Photomechanical print of Helicopter 66, a U.S. Navy Sikorsky SH-3D Sea King helicopter of HS-4 (Anti-submarine Squadron 4), in flight above the Apollo 13 Command Module, with the USS Iwo Jima (LPH-2) in the background, April 13, 1970.

[Astronauts James A. Lovell, John L. Swigert, and Fred W. Haise and Navy officer on board USS Iwo Jima]
Photomechanical print of astronauts James A. Lovell, John L. Swigert, and Fred W. Haise and an unidentified U.S. Navy officer on board the USS Iwo Jima (LPH-2), April 17, 1970.

[Navy servicemen and astronauts James A. Lovell, John L. Swigert, and Fred W. Haise aboard the USS Iwo Jima]
Photomechanical print of U.S. Navy servicemen and astronauts James A. Lovell, John L. Swigert, and Fred W. Haise aboard the USS Iwo Jima (LPH-2), taken after the astronauts' recovery from the Apollo 13 Command Module, April 17, 1970.

[Sikorsky Sea King Helicopter 66 in flight above deck of USS Iwo Jima]
Photomechanical print of Helicopter 66, a U.S. Navy Sikorsky SH-3D Sea King helicopter of HS-4 (Anti-submarine Squadron 4), in flight above the deck of the USS Iwo Jima (LPH-2), April 17, 1970.

[Recovery of the Apollo 13 Command Module (CM), April 17, 1970]
Film footage of the recovery of the Apollo 13 Command Module (CM), April 17, 1970. The footage begins with panning shots of a coastline and beach and scenes of people surfing and swimming in the ocean. At 00:01:14, the footage transitions to a SIMEX…
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