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"And the trench was a reeking shambles" [Stereograph] (Item)
"And the trench was a reeking shambles" [Stereograph]
Stereograph, "'And the trench was a reeking shambles.' German dead in the La Bassee area," Image number V18858, Keystone View Company, circa 1914-1919. Image of dead servicemen in trenches. Caption on reverse describes the battle at La Bassée (France) as an extension of the Battle of Ypres (Belgium) in late 1914.
French soldiers resting in the trenches [Stereograph] (Item)
French soldiers resting in the trenches [Stereograph]
Stereograph, "French soldiers resting in the trenches," Image Number 18633, Keystone View Company, circa 1914-1919. Image of servicemen resting in trenches. Caption on reverse describes the construction, layout, and purposes of trenches in the war.
Artillerymen, Who Between the Germans and the Mud, are Emplacing Their Guns with Difficulty [Stereograph] (Item)
Artillerymen, Who Between the Germans and the Mud, are Emplacing Their Guns with Difficulty [Stereograph]
Stereograph, "Artillerymen, Who Between the Germans and the Mud, are Emplacing Their Guns with Difficulty," Set Number 14, Image Number V18902, Keystone View Company, circa 1914-1921. Image of soldiers with heavy artillery guns and various other equipment. Caption on reverse describes the importance of army engineers in the war and new innovations in gunnery.
A French 155 mm. Gun Trained on the Trenches of the Huns [Stereograph] (Item)
A French 155 mm. Gun Trained on the Trenches of the Huns [Stereograph]
Stereograph, "A French 155 mm. Gun Trained on the Trenches of the Huns," Set Number 15, Image Number 18651, Keystone View Company, circa 1914-1921. Image of soldiers with large heavy artillery gun in a forest. Caption on reverse describes innovations in French artillery and the wearing out of guns during the war.
Proud Men of the North Who Fought on Flanders Fields [Stereograph] (Item)
Proud Men of the North Who Fought on Flanders Fields [Stereograph]
Stereograph, "Proud Men of the North Who Fought on Flanders Fields," Set Number 11, Image Number V18874, Keystone View Company, circa 1914-1921. Image of dead soldiers on a battlefield. Caption on reverse describes the bravery of Scotsmen and uniqueness of their kilts.
Out Where Bombs Are Bursting and the Cannons Like Hell-Doors Slam [Stereograph] (Item)
Out Where Bombs Are Bursting and the Cannons Like Hell-Doors Slam [Stereograph]
Stereograph, "Out Where Bombs Are Bursting and the Cannons Like Hell-Doors Slam," Set Number 36, Image Number V18932, Keystone View Company, circa 1914-1921. Image of open battlefield with several soldiers standing or crouched with guns in the distance. Caption on reverse describes the battle scene in the nearby forest.
Human Wreckage in No Man's Land, Chemin des Dames, France [Stereograph] (Item)
Human Wreckage in No Man's Land, Chemin des Dames, France [Stereograph]
Stereograph, "Human Wreckage in No Man's Land, Chemin des Dames, France," Set Number 6, Image Number V18837, Keystone View Company, circa 1914-1921. Image of soldier's skeleton still partially dressed in uniform, with helmet and rifle. Caption on reverse describes the scene and identifies the remains as a British soldier.
Desolate Waste on Chemin des Dames Battlefield, France [Stereograph] (Item)
Desolate Waste on Chemin des Dames Battlefield, France [Stereograph]
Stereograph, "Desolate Waste on Chemin des Dames Battlefield, France," Set Number 5, Image Number V18834, Keystone View Company , circa 1914-1921. Image of burned battlefield with officer standing in the foreground. Caption on reverse describes the scene and notes that it is the site where American troops sent their first shots across the Aisne canal at the Germans.
His Last Fight - See He Lies, Death Staring from His Eyes [Stereograph] (Item)
His Last Fight - See He Lies, Death Staring from His Eyes [Stereograph]
Stereograph, "His Last Fight - 'See He Lies, Death Staring from His Eyes' - Somewhere in France," Set Number 7, Image Number V18854, Keystone View Company, circa 1914-1921. Image of rubble and a dead soldier. Caption on reverse describes the scene with sentimental language.